Wrocław. Imiona miasta 2002 on netflix

The burner bursts with flame, hot air fills the shell, the aerostat soars. In the gondola of the balloon – Norman Davies. He is not looking for strong impressions, inspiration or beautiful views, but for the right perspective. For a historian, according to the film’s protagonist, “should distance himself from his object of research. One must not be too close, too emotionally involved. That’s why I will look at Wroclaw from a certain height…” Such a perception of Breslau has been sorely lacking in the distant and near past, especially in the past, the twentieth century – the century in which unleashed nationalisms resulted in the bloodiest spasms in the history of mankind.