Barbara Hammer

Maya Deren’s Sink, a 30 minute experimental film, is an evocative tribute to the mother of avantgarde American film. The film calls forth ...

Generations is a 30 minute 16mm film about mentoring and passing on the tradition of personal experimental filmmaking. Barbara Hammer, 70 years ...

What do construction workers do in their well-earned breaks? How might Angelina Jolie’s and Brad Pitt’s relationship have ended? And ...

This video documentary centers on the questions of civil liberties and cultural differences in a society beginning to open as one woman searches ...

The Female Closet uses archival photographs, home movies, interviews, and other visual materials to explore the closeted lesbian stories of ...

Essay documentary explores eroded emulsions and images for lost vestiges of lesbian and gay culture. First feature by a pioneer of lesbian ...

In “Vital Signs” (1991), Barbara Hammer demonstratively transforms the horror of death into its opposite. She tenderly cares for a human ...

The Peruvian Galapagos Islands feature in Hammer’s film Endangered, where Blue-footed Boobies, seals and iguanas are equated with the filmmaker ...

NO NO NOOKY TV posits sexuality to be a social construct in a “sex-text” of satiric graphic representation of “dirty ...

Deconstructs the representation of AIDS in the popular media where distortion and misrepresentation amount to a “snow job” promoting ...

In Tourist, Barbara Hammer depicts a trip to Europe: the flow of images is manipulated with a syncopated rhythm, to alter the perception of ...

“Barbara Hammer’s Optic Nerve is a powerful personal reflection on family and aging. Hammer employs filmed footage which, through ...

A film investigating the nature of spectator perception in an unfamiliar environment. Manipulating the movement of the film direction on the ...

Barbara Hammer’s Audience is a fascinating deep cut from the director’s prodigious filmography. Relatively raw in its design, this 16mm diary of ...

One-point perspective visual path across the US beginning inside a linear accelerator or atom-smashing device and traveling to such high-energy ...

In Stone Circles, Hammer really leaves ‘nation’ as well as ‘era’ and creates a film poem on the prehistoric stone cultures of Britain.

An experimental movie where the viewpoint starts in a placid pond high inland, and follows the flow of water down to the sea. The movie ...

A lesbian/feminist aesthetic proposing the connection between touch and sight to be the basis for a new cinema. The film explores the tactile ...

“Both NEW YORK LOFT and DOLL HOUSE convey a strong sense of resourcefulness, this ‘making something’ out of interiors, specifically domestic ...

“Shot in the Peruvian convent of Santa Catalina, AREQUIPA analogizes the building blocks of film (frames, color and black and white stocks, ...