A. Hans Scheirl

Dust, a split-personality cyborg of fluid gender, zooms through time and space in search of his/her own memories and a sense of understanding. ...

In the year 2700, a comic book artist encounters a mysterious alien while seeking revenge against the pyromaniac who burned down her printing presses.

A possible staging of spaces; artificial places, in which the laws—of physical, social or cultural origins—are expanded, changed, ignored, ...

These shorts, executed between 1984 and 1986 in Vienna, exude an amazingly fresh intimacy and vitality. Referred to by the filmmakers as ...

Lunatics in the subway Take a break at the diner Goggles seen from near Astrid is very seductive and reprimands the child Favorite family-shots ...

Between the “red cuts” are dynamic images of Pürrer and Scheirl, some filmed from a screen, often against a red background or completely in red. ...

In Rhubarb and Sugar, Pürrer plays with rhubarb stalks, which in her hands and mouth are transformed into antennae, ears, and a tail. Monstera ...

The film is a garden full of flowers and plant leaves. They’re placed in the mouth and down inside the dress neckline; they’re danced with and ...

The plant is padded and bounces, the heart is padded and drops. Objects fill the lead roles: swaying plants with succulent leaves; and vases, ...

A filmic homage to Gertrude Stein’s “Tender Buttons”: Everyday objects and especially house plants are imbued with cubist ...

Pürrer and Scheirl as naughty Easter bunnies create their own visual rhyme on Easter: Catholic excess and Christ kitsch become drowned out by ...

Games with muscles, games with power, SM games. The naked body employed as a prop. Perceptions of one’s own body are the focus of ...

The film is made up of sequences filmed from the television screen, such as advertisements and excerpts from the show “Aktenzeichen XY” (“File ...